Someone keeping the overview
You can hire equipment; experience you cannot. The difference between a congress where the technology simply works and a day of hiccups rarely lies in the equipment, but in the people operating it and in what was worked through beforehand. At IFS Audiovisueel there is always a technician at the control position during your programme, steering sound, vision and lighting as one, watching the room and stepping in before you or your audience notice anything. Before that come a site visit, a running order gone through line by line, and a rehearsal with the speakers. We have been doing this since 1962; our technicians arrive in suits, with laptop and service case, and stay all day.
Somewhere in the room stands the control desk, and everything runs together there: the microphones, the presentations, the camera feed, the lighting and, if the event is streamed, the broadcast. Together with the venue we decide where that desk sits best, with a view of the stage and of the audience, because a technician who cannot see the screen cannot correct it either. From there they mix the sound live, switch between presentation, video and camera, and bring the lighting down or up as the programme changes. On larger productions there is someone per discipline, with an intercom to the cameras and the stage, so a cut is agreed rather than accidental. We position the control desk so that it is not in your guests' sight line or walking route.
Most of our work happens before the first guest walks in. For a room we do not know we come and look first: where is the power, what can be rigged from the ceiling, how do the sightlines run, where is the loading bay and how much time do we get to build. We go through your running order line by line, who speaks when, which video is shown, when the lights come down, what has to happen online, and translate it into a technical plan. On the day we run a rehearsal with the speakers and the chair: microphones on, a moment to get used to the stage, vision cues walked through. Whatever surfaces there, we solve while the room is still empty.
Our technicians are professionals who know what is at stake at a congress: one occasion that has to go well, with a full room and speakers who want to think about their content rather than the technology. They arrive in suits, with laptop and service case, and stay the whole day, not only during the build. Spare cables, adapters, batteries and a second presenter are there as standard, so a problem is solved before it becomes one. For meetings in secure environments such as courts and government institutions, our people hold a certificate of conduct and work in line with GDPR. And because we have been doing this since 1962, almost every situation a congress day can produce has come our way before.
As soon as several rooms, several days or several suppliers are involved, a project manager joins the team. They are your fixed point of contact, from the first quotation to the last case leaving the building. They assign technicians to rooms, draw up the build and strike schedule, agree access, power and timings with the venue, and liaise with your other suppliers, the stand builder, the caterer, the set builder. If the programme goes differently than planned, you do not have to work out whom to ask: you call one number. At multi-day congresses the set-up stays in place overnight and we check everything again each morning before the first session starts.
At a meeting in a single room it is the technician who sits at the control position all day; you can simply talk to them. At larger congresses a project manager joins, keeping the overview, and you will already have been in contact with them since the quotation. They are reachable all day and liaise with the technicians in the rooms and with the venue, so you never have to work out whom to ask for what.
For a room we do not know we are glad to, and for larger productions essentially always. We look at power, rigging points, sightlines, where the control position can stand, loading access and how much time we get to build. Often someone from the venue joins us, so agreements about access and timings are settled straight away. If we already know the room, a floor plan and a conversation about your programme usually suffice.
Before the start we take the speakers and the chair onto the stage. Everyone puts their microphone on and says a few words, so we can set the level and the speaker hears how it sounds. We show where the confidence monitor is, how the presenter works and what happens at a video clip or a vision cue. For speakers with little stage experience that makes a noticeable difference to the nerves. It usually takes half an hour to an hour, depending on the number of speakers.
Yes. We have extensive experience with courts, ministries and other institutions where not everyone simply walks in. Our technicians hold a certificate of conduct, work in line with GDPR and are used to access procedures, advance screening and agreements about what may and may not be recorded. Let us know when you enquire and we will arrange the required documents and details well in advance.
We build as soon as the room is available, usually the evening before or a few hours ahead, and make sure everything is tested and the rehearsal can be run before the first guest arrives. During the programme the technician stays in the room, including through breaks and lunch. Afterwards we strike as soon as the room is clear. Exactly how much time we need depends on the set-up; we agree that with you and the venue in advance.
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